Outsiders Five of a Kind Week 5 Grace Wonder Woman
Well, if you're half Amazon, then, DUH, your mother was an Amazon.
Diana was unique among Amazons for having been made of clay, wasn't she? Don't all Amazons at one time or another, require men to breed? And if so, wouldn't every Amazon be half Amazon? And thus, shouldn't every half Amazon just be merely Amazon? And since when do Bana and Themiscyran Amazons have different DNA? Why would they?
Actually, lakes do have tides. Andreyko must not live near one.
Why would Grace need a disguise? It's not like anybody knows who she is. Maybe she should wear a shirt though, to cover all her ink?
Seriously? A spin change?
"How 'bout I call you 'cuz?"/"Too soon?"/"Yeah, OK. Too soon." The last words in Andreyko's story. But they don't actually read like a conversation. In fact, they sound more one-sided.
In this issue, Grace describes some medication as six kinds of CRAP. I agree with her assessment. This story is six kinds of CRAP. This entire concept is six kinds of CRAP. And how many kinds of CRAP are there? Let's see: human, monkey, dog, elephant, bird, horse. Okay, six kinds of CRAP. But why or how would Grace be familiar with the way six of them taste?
Friday, August 31, 2007
World War Hulk: X-Men #3
World War Hulk: X-Men #3
Here's why WWH: X-Men is/was stupid. The whole darn thing can be resolved in two pages with absolutely zero fighting:
Finally, all those pointlessly dead kids from New X-Men finally served a purpose. Of course, they didn't get around to it fast enough. What an AWFUL and pointless tie in series this was.
Here's why WWH: X-Men is/was stupid. The whole darn thing can be resolved in two pages with absolutely zero fighting:
Finally, all those pointlessly dead kids from New X-Men finally served a purpose. Of course, they didn't get around to it fast enough. What an AWFUL and pointless tie in series this was.
Thursday, August 30, 2007
Silver Surfer: Requiem #4
Silver Surfer: Requiem #4
After many years of service to the peoples of the cosmos, Norrin Radd is laid to rest. This book is extremely emotional: heartfelt, hopeful, and sad. Some of the "science" involved doesn't truly make sense. For instance, how can Norrin Radd transfer a piece of his essence to each of the people that visit him before his death? How can Galctus turn him into a star? And yet? And yet...
...it doesn't really matter. It's all about the emotions. All about the hope that the Silver Surfer embodied. He was, in many ways, the personification of hope. And even in death, he now continues in this role. If fact, his death brings a freedom to Zenn La that has never been known. For in dying, Galactus pledges to his herald that none shall ever threaten Zenn La or its people. Galactus shall be their protector. Thus, the people of Zenn La are freed from fear for the first time in many years, and, for the first time in millennia, Galactus has found a home. A place filled with being with whom he shares a common bond of love. A place where he is not feared, but welcomed.
And thus, in death, Norrin Radd did for Galactus what he could never do for him in life. He gave Galactus a home.
A VERY GOOD ending to this wonderful miniseries. I honestly didn't expect to enjoy it as much as I have. I usually despise JMS' writing. Very often it seems that he is either ignorant or uncaring of the previous characterizations of the characters in the comics he writes. And yet? And yet it seems that nobody has ever come so close since Stan Lee created him to getting the Silver Surfer right. His motivations, his fears, his hopes, his dreams. All are captured beautifully by the pen of JMS, not to mention illustrated to perfection by Esad Ribic.
I skipped reviewing the third issue of this series, because it kind of missed the point. Taking the Silver Surfer into confrontations with alien races we haven't seen before was the purview of his life. His death should be something completely different. Thus, the first issue, where he met with the Fantastic Four, and the second issue, where he met with Spider-Man and gave a gift of vision to the human race, were perfect vignettes from the last days of the Silver Surfer's life. Had there only been three issues, nothing would have been lost. These three issues have been some of the finest writing I've ever read from JMS, and also one of the only Marvel: End stories that have really been worthwhile.
It has been a fun exercise.
Rest In Peace, Norrin Radd. May your ultimate end be as dignified as this one.
After many years of service to the peoples of the cosmos, Norrin Radd is laid to rest. This book is extremely emotional: heartfelt, hopeful, and sad. Some of the "science" involved doesn't truly make sense. For instance, how can Norrin Radd transfer a piece of his essence to each of the people that visit him before his death? How can Galctus turn him into a star? And yet? And yet...
...it doesn't really matter. It's all about the emotions. All about the hope that the Silver Surfer embodied. He was, in many ways, the personification of hope. And even in death, he now continues in this role. If fact, his death brings a freedom to Zenn La that has never been known. For in dying, Galactus pledges to his herald that none shall ever threaten Zenn La or its people. Galactus shall be their protector. Thus, the people of Zenn La are freed from fear for the first time in many years, and, for the first time in millennia, Galactus has found a home. A place filled with being with whom he shares a common bond of love. A place where he is not feared, but welcomed.
And thus, in death, Norrin Radd did for Galactus what he could never do for him in life. He gave Galactus a home.
A VERY GOOD ending to this wonderful miniseries. I honestly didn't expect to enjoy it as much as I have. I usually despise JMS' writing. Very often it seems that he is either ignorant or uncaring of the previous characterizations of the characters in the comics he writes. And yet? And yet it seems that nobody has ever come so close since Stan Lee created him to getting the Silver Surfer right. His motivations, his fears, his hopes, his dreams. All are captured beautifully by the pen of JMS, not to mention illustrated to perfection by Esad Ribic.
I skipped reviewing the third issue of this series, because it kind of missed the point. Taking the Silver Surfer into confrontations with alien races we haven't seen before was the purview of his life. His death should be something completely different. Thus, the first issue, where he met with the Fantastic Four, and the second issue, where he met with Spider-Man and gave a gift of vision to the human race, were perfect vignettes from the last days of the Silver Surfer's life. Had there only been three issues, nothing would have been lost. These three issues have been some of the finest writing I've ever read from JMS, and also one of the only Marvel: End stories that have really been worthwhile.
It has been a fun exercise.
Rest In Peace, Norrin Radd. May your ultimate end be as dignified as this one.
Wednesday, August 29, 2007
Ms. Marvel #18
Ms. Marvel #18
Very late review. So sue me. Fleshy thing.
This issue reminds me of one of the reasons that I miss NextWave so much. Aaron Stack's smugness is captured perfectly by the pen of Brian Reed. Excellent dialogue. Really excellent. I can only hope that Machine Man will be a regular addition to this book's already burgeoning supporting cast. Because really, that's probably the only reason this title is still around. If not for the supporting cast, all you'd have is a book about Ms. Marvel. And honestly? She's pretty dull. Sure, she may have Power Girl sized breasts, but other than that, she doesn't regularly display any attributes which would distinguish her from the rest of the Marvel Superheroes who don't have their own books. So it's all about the supporting cast. Arana is used better in this title than she ever was in Amazing Fantasy or Arana. Seriously, those books were BOOOORING.
Sleepwalker is here too! I loved Sleepwalker back in the day! Sure, in retrospect it wasn't exactly Shakespeare, but for a fourteen year old boy, it was fun! So, I'm looking forward to that addition as well.
Oh what the heck, after so many negative reviews and so many other people not giving this book a chance, I think that Brian Reed may have just won me over. You can be sure I'll be reading issue #19. GOOD work.
Very late review. So sue me. Fleshy thing.
This issue reminds me of one of the reasons that I miss NextWave so much. Aaron Stack's smugness is captured perfectly by the pen of Brian Reed. Excellent dialogue. Really excellent. I can only hope that Machine Man will be a regular addition to this book's already burgeoning supporting cast. Because really, that's probably the only reason this title is still around. If not for the supporting cast, all you'd have is a book about Ms. Marvel. And honestly? She's pretty dull. Sure, she may have Power Girl sized breasts, but other than that, she doesn't regularly display any attributes which would distinguish her from the rest of the Marvel Superheroes who don't have their own books. So it's all about the supporting cast. Arana is used better in this title than she ever was in Amazing Fantasy or Arana. Seriously, those books were BOOOORING.
Sleepwalker is here too! I loved Sleepwalker back in the day! Sure, in retrospect it wasn't exactly Shakespeare, but for a fourteen year old boy, it was fun! So, I'm looking forward to that addition as well.
Oh what the heck, after so many negative reviews and so many other people not giving this book a chance, I think that Brian Reed may have just won me over. You can be sure I'll be reading issue #19. GOOD work.
Tuesday, August 28, 2007
Sensational Spider-Man #40
Sensational Spider-Man #40
A VERY GOOD issue that is essentially the coda to Roberto Aguirre-Sacasa's interesting take on Spidey in this title. (Next month's final issue is part of JMS and JoeyDaQ's "One More Day" storyline.) Although the central conceit of this particular story is somewhat haughty, RAS manages to pull it off. Peter meets God. God does not look like Stan Lee. He looks like a reject from a Marvel Zombies title crossed with a homeless man. Possibly someone with necrotizing fasciitis. Interesting artistic choice by the ever versatile Clayton Crain. (If this is actually supposed to be a representation of one of the creative team, I sincerely apologize.) God appears to Spidey as he finishes beating the crap out of a dumpster, heals his hands, buys him lunch, takes him to the beach, and plays therapist. Along the way, God tells Peter that everybody suffers, it's just the way that the world was created, and that he's endured it better than most by allowing it to affect him positively rather than negatively. He shows Peter a vision of all the lives he's saved in his short tenure as a superhero. He tells Peter to be brave and strong in the face of all that is to come. And then He drops Peter off in the alley behind the hospital.
This interesting tale is sandwiched between two shorter tales, one of which is only a page in length.
In the first part of this issue, RAS and CC have their turn at revisiting Spider-Man's origin and backstory. Clayton Crain gets to draw his take of the cover for Amazing Fantasy #15. A couple of errors are made in the retelling of Spider-Man's origin. A slightly erroneous addition is made to the canonical origin story by the inclusion of Liz Allan offering young Peter Parker the seat next to her on the bus when going to the fated field trip (which, of course, wasn't a field trip but rather an independent visit way back when). Also, RAS seems to be unaware that Norman Osborn is still alive. No matter. If not for retcons, he wouldn't be. If not for The Clone Saga, he wouldn't be. So let's just pretend that he is. What? He's the director of the Thunderbolts, you say? No! Oh, well, then. Let's just view the Marvel Universe with blinders and pretend that that title doesn't exist, shall we?
The epilogue to this book occurs in the future, as a middle-aged Peter Parker relaxes on the sofa with his wife Mary Jane, and their children Benjamin and Mary (probably intended to be May). And everything is wonderful and Blessed. Finis.
While I haven't been very enthused about the majority of RAS's run on this title, I did enjoy issue #28 very much. In general, though, RAS's story choices and decisions while writing this title seemed bizarre. So much so that this book should have been called The Bizarre Spider-Man. Still, it was better than anything JMS was doing simultaneously in the parent title. It's sad to note that the two lesser Spider titles will be folding into the parent title upon the conclusion of JMS and JoeyDaQ's "One More Day" crapfest.
Fare thee well, Sensational Spider-Man. Better luck next time, Roberto Aguirre-Sacasa.
A VERY GOOD issue that is essentially the coda to Roberto Aguirre-Sacasa's interesting take on Spidey in this title. (Next month's final issue is part of JMS and JoeyDaQ's "One More Day" storyline.) Although the central conceit of this particular story is somewhat haughty, RAS manages to pull it off. Peter meets God. God does not look like Stan Lee. He looks like a reject from a Marvel Zombies title crossed with a homeless man. Possibly someone with necrotizing fasciitis. Interesting artistic choice by the ever versatile Clayton Crain. (If this is actually supposed to be a representation of one of the creative team, I sincerely apologize.) God appears to Spidey as he finishes beating the crap out of a dumpster, heals his hands, buys him lunch, takes him to the beach, and plays therapist. Along the way, God tells Peter that everybody suffers, it's just the way that the world was created, and that he's endured it better than most by allowing it to affect him positively rather than negatively. He shows Peter a vision of all the lives he's saved in his short tenure as a superhero. He tells Peter to be brave and strong in the face of all that is to come. And then He drops Peter off in the alley behind the hospital.
This interesting tale is sandwiched between two shorter tales, one of which is only a page in length.
In the first part of this issue, RAS and CC have their turn at revisiting Spider-Man's origin and backstory. Clayton Crain gets to draw his take of the cover for Amazing Fantasy #15. A couple of errors are made in the retelling of Spider-Man's origin. A slightly erroneous addition is made to the canonical origin story by the inclusion of Liz Allan offering young Peter Parker the seat next to her on the bus when going to the fated field trip (which, of course, wasn't a field trip but rather an independent visit way back when). Also, RAS seems to be unaware that Norman Osborn is still alive. No matter. If not for retcons, he wouldn't be. If not for The Clone Saga, he wouldn't be. So let's just pretend that he is. What? He's the director of the Thunderbolts, you say? No! Oh, well, then. Let's just view the Marvel Universe with blinders and pretend that that title doesn't exist, shall we?
The epilogue to this book occurs in the future, as a middle-aged Peter Parker relaxes on the sofa with his wife Mary Jane, and their children Benjamin and Mary (probably intended to be May). And everything is wonderful and Blessed. Finis.
While I haven't been very enthused about the majority of RAS's run on this title, I did enjoy issue #28 very much. In general, though, RAS's story choices and decisions while writing this title seemed bizarre. So much so that this book should have been called The Bizarre Spider-Man. Still, it was better than anything JMS was doing simultaneously in the parent title. It's sad to note that the two lesser Spider titles will be folding into the parent title upon the conclusion of JMS and JoeyDaQ's "One More Day" crapfest.
Fare thee well, Sensational Spider-Man. Better luck next time, Roberto Aguirre-Sacasa.
Sunday, August 26, 2007
Shadowpact #16
Shadowpact #16
Wow! Another great issue! Danny's lawyer runs into some complications in hell. And back on the material plane, Danny gets assigned thirteen impossible tasks, the first of which is to curb the advances of Zatanna's mother's people - the Homo Magi - upon our realm. Alone. What an engine for the next few years' worth of stories! Although it doesn't really leave room for the rest of the Shadowpact. I suppose his lawyer will just have to find a way out of this mess, or will have to get Blue Devil his own book.
Eve transports tens of thousands of Chicagoans to the shadow dimension, saving them all. Detective Chimp shows that he's a natural when it comes to working with children. The Justice League shows up to render assistance. Nightmaster and Enchantress take Doc Gotham on and nearly defeat him before he escapes, and then
uh, no, that's pretty much it - the issue just ends! It's as if Willingham had two more story pages written, but ran out of space for them. What? It's a very unsatisfying ending to such an incredible read as this issue. It truly detracts from the enjoyment factor to the extent that what was once very good is now merely GOOD.
Wow! Another great issue! Danny's lawyer runs into some complications in hell. And back on the material plane, Danny gets assigned thirteen impossible tasks, the first of which is to curb the advances of Zatanna's mother's people - the Homo Magi - upon our realm. Alone. What an engine for the next few years' worth of stories! Although it doesn't really leave room for the rest of the Shadowpact. I suppose his lawyer will just have to find a way out of this mess, or will have to get Blue Devil his own book.
Eve transports tens of thousands of Chicagoans to the shadow dimension, saving them all. Detective Chimp shows that he's a natural when it comes to working with children. The Justice League shows up to render assistance. Nightmaster and Enchantress take Doc Gotham on and nearly defeat him before he escapes, and then
uh, no, that's pretty much it - the issue just ends! It's as if Willingham had two more story pages written, but ran out of space for them. What? It's a very unsatisfying ending to such an incredible read as this issue. It truly detracts from the enjoyment factor to the extent that what was once very good is now merely GOOD.
X-Men: Endangered Species #9
X-Men: Endangered Species #9
I'm still enjoying Endangered Species very much, against all odds and predictions. It's taking us on a tour through the scientific backlots of Marvel's mutant history, while for the first time outside of X-Factor, actually DOING something with the "no more mutants" concept. Taking the idea to new levels and exploring it and its ramifications in depth. It's VERY GOOD. I just skipped the parent story and flipped straight to the backup - that's how much I like it.
I'm still enjoying Endangered Species very much, against all odds and predictions. It's taking us on a tour through the scientific backlots of Marvel's mutant history, while for the first time outside of X-Factor, actually DOING something with the "no more mutants" concept. Taking the idea to new levels and exploring it and its ramifications in depth. It's VERY GOOD. I just skipped the parent story and flipped straight to the backup - that's how much I like it.
X-Men #202
X-Men #202
I still can't read this. The art by Humberto Ramos is just too AWFUL. Mike Carey's story may be fine, but I really wouldn't know. For me, the incoherent art makes this title completely unreadable.
I still can't read this. The art by Humberto Ramos is just too AWFUL. Mike Carey's story may be fine, but I really wouldn't know. For me, the incoherent art makes this title completely unreadable.
Wolverine #56
Wolverine #56
I really don't care about this title any more. It's turned into Wolverine: Origins 2.
And it's even worse, if that's even possible. AWFUL.
I really don't care about this title any more. It's turned into Wolverine: Origins 2.
And it's even worse, if that's even possible. AWFUL.
Iron Man #21
Iron Man #21
Not a WWH crossover. So, this issue has Iron Man having come out the other side of World War Hulk, apparently none the worse for wear. Why couldn't Marvel have delayed this issue by a week or two so that it didn't completely ruin a critical moment from WWH for us? And...
it's back to sucking. As good as last issue was, this issue is bad. I could hardly interest myself in reading this CRAP.
Not a WWH crossover. So, this issue has Iron Man having come out the other side of World War Hulk, apparently none the worse for wear. Why couldn't Marvel have delayed this issue by a week or two so that it didn't completely ruin a critical moment from WWH for us? And...
it's back to sucking. As good as last issue was, this issue is bad. I could hardly interest myself in reading this CRAP.
Cable & Deadpool #44
Cable & Deadpool #44
Pure comics EXCELLENCE. Bob shows his true colors. Although he may be a faithful agent of Hydra, he's even more faithful as a friend. And he comes through for his friends in a pinch...by reattaching Wade's head. Ewwwwwwwwwww. Nicieza ups the funny with this issue, and makes the new status quo work - even though we all know it's not gonna stick. At least he's not already working towards undoing it.
So when do we get our "Bob: Agent of Hydra" spinoff?
Pure comics EXCELLENCE. Bob shows his true colors. Although he may be a faithful agent of Hydra, he's even more faithful as a friend. And he comes through for his friends in a pinch...by reattaching Wade's head. Ewwwwwwwwwww. Nicieza ups the funny with this issue, and makes the new status quo work - even though we all know it's not gonna stick. At least he's not already working towards undoing it.
So when do we get our "Bob: Agent of Hydra" spinoff?
Astonishing X-Men #22
Astonishing X-Men #22
EXCELLENT as usual. Better than Buffy, if that's not too sacrilegious. I've almost gotten used to the dreadfully slow pacing on this title. It's sort of like a television show. It even reads like one. Now if it would only come out monthly, I'd be entirely down with it. As it is, every time a new issue comes out, I have to reread the last one as well. And actually, that's a wondrous thing about this series: even so soon after reading it the first time, each book lends itself perfectly to being reread, with the reader finding new intricacies in the story and artwork in every rereading. When does the next issue come out?
This issue would be even better, if that's possible, if there were any chance that its ending would actually stick. But of course, that's not going to happen. But, oh, if only...
EXCELLENT as usual. Better than Buffy, if that's not too sacrilegious. I've almost gotten used to the dreadfully slow pacing on this title. It's sort of like a television show. It even reads like one. Now if it would only come out monthly, I'd be entirely down with it. As it is, every time a new issue comes out, I have to reread the last one as well. And actually, that's a wondrous thing about this series: even so soon after reading it the first time, each book lends itself perfectly to being reread, with the reader finding new intricacies in the story and artwork in every rereading. When does the next issue come out?
This issue would be even better, if that's possible, if there were any chance that its ending would actually stick. But of course, that's not going to happen. But, oh, if only...
Superman #666
Superman #666
I'm not sure what Busiek was trying to do with this story, other than figuring out some reason for Supes to have a hell themed story for his 666th issue. I figure that Busiek is mimicking some older story with which I am not familiar, but this certainly doesn't read like a typical Kurt Busiek story. For one thing, it's pretty disjointed. For another, it really doesn't make much sense. In general, when Busiek writes dream or alternate reality issues, they still make sense. Not so, this issue. The gist of it is that when Krypton exploded, one of the demons of its theological hell hitched a ride with baby Kal-El's spaceship, and nestled in his subconscious (?) until he killed someone, whereupon it made a deal with the lords of human hell to acquire his soul. Yeah, I know, it REALLY doesn't make any sense. I've read some good hell stories, in Moore's Swamp Thing, Gaiman's Sandman, and even in the recent issues of Shadowpact. This story is not good. It doesn't make any sense, and Walter Simonson's odd artwork doesn't contribute anything towards understanding it.
It's not good, but I'm hesitant to rate it lower than EH. Because maybe I'm just not getting it. But I didn't enjoy it. Which is surprising, as Busiek's run on Superman (both titles) has been one of my favorites in years. For a long time Supes was being written by people who just didn't understand who he was or how to write him. Busiek gets him. So I'm not sure what's going on here.
I'm not sure what Busiek was trying to do with this story, other than figuring out some reason for Supes to have a hell themed story for his 666th issue. I figure that Busiek is mimicking some older story with which I am not familiar, but this certainly doesn't read like a typical Kurt Busiek story. For one thing, it's pretty disjointed. For another, it really doesn't make much sense. In general, when Busiek writes dream or alternate reality issues, they still make sense. Not so, this issue. The gist of it is that when Krypton exploded, one of the demons of its theological hell hitched a ride with baby Kal-El's spaceship, and nestled in his subconscious (?) until he killed someone, whereupon it made a deal with the lords of human hell to acquire his soul. Yeah, I know, it REALLY doesn't make any sense. I've read some good hell stories, in Moore's Swamp Thing, Gaiman's Sandman, and even in the recent issues of Shadowpact. This story is not good. It doesn't make any sense, and Walter Simonson's odd artwork doesn't contribute anything towards understanding it.
It's not good, but I'm hesitant to rate it lower than EH. Because maybe I'm just not getting it. But I didn't enjoy it. Which is surprising, as Busiek's run on Superman (both titles) has been one of my favorites in years. For a long time Supes was being written by people who just didn't understand who he was or how to write him. Busiek gets him. So I'm not sure what's going on here.
Outsiders Five Of A Kind Week 4 Metamorpho Aquaman
Outsiders Five Of A Kind Week 4 Metamorpho Aquaman
This issue is unbelievably surprisingly GOOD!
Amazing artwork coupled with a strong Metamorpho story with Aquaman playing a well-characterized strong supporting role. Sure, the underlying story concept, of Batman recruiting members for his NEW Outsiders, is ludicrous. And the reason he's apparently sent Arthur and Rex to the Sahara is also kind of dumb. But writer G. Willow Wilson doesn't let such inanities get in the way of her writing a strong story. And it's amazingly, surprisingly, GOOD! I haven't read any of the other books in this series because, well, I wouldn't waste my money on that kind of CRAP, not even for you, tireless reader, but I'm a fan of Josh Middleton's artwork, - even his coloring is amazing in this issue, giving it the perfect washed out look which invokes a true sense of being in the desert - and a fan of the characters in this book, so I figured I'd pick it up. And I wasn't disappointed. Bedard's backup story is really stupid, but Wilson's story is top-notch.
This issue is unbelievably surprisingly GOOD!
Amazing artwork coupled with a strong Metamorpho story with Aquaman playing a well-characterized strong supporting role. Sure, the underlying story concept, of Batman recruiting members for his NEW Outsiders, is ludicrous. And the reason he's apparently sent Arthur and Rex to the Sahara is also kind of dumb. But writer G. Willow Wilson doesn't let such inanities get in the way of her writing a strong story. And it's amazingly, surprisingly, GOOD! I haven't read any of the other books in this series because, well, I wouldn't waste my money on that kind of CRAP, not even for you, tireless reader, but I'm a fan of Josh Middleton's artwork, - even his coloring is amazing in this issue, giving it the perfect washed out look which invokes a true sense of being in the desert - and a fan of the characters in this book, so I figured I'd pick it up. And I wasn't disappointed. Bedard's backup story is really stupid, but Wilson's story is top-notch.
JSA Classified #29
JSA Classified #29
Mr. Terrific fights Nazis embedded within the US government. It's not a bad story idea. It is however, incredibly saddled with atrocious art by Alex Sanchez. Wildcat is a giant? He's actually a cat? Jay Garrick is really fat (heh, like in the Emperor Joker story when The Flash became The Fat!)? The senator has a flesh eating bacterial infection? Really bad art. I might have enjoyed this issue otherwise, but as it is, EH.
Mr. Terrific fights Nazis embedded within the US government. It's not a bad story idea. It is however, incredibly saddled with atrocious art by Alex Sanchez. Wildcat is a giant? He's actually a cat? Jay Garrick is really fat (heh, like in the Emperor Joker story when The Flash became The Fat!)? The senator has a flesh eating bacterial infection? Really bad art. I might have enjoyed this issue otherwise, but as it is, EH.
Green Lantern Corps #15
Green Lantern Corps #15
Not nearly as good as last issue's Soranik/Sinestro matchup, but still quite competent - for what it is: basically an extended battle sequence. "The Battle of Mogo". It's got a nice ring to it. And that's all this issue is. In fact, it's only part one of "The Battle of Mogo". And yet, it's still pretty GOOD. A host of artists manage to achieve a sort of consistency between their work - something I've never seen in such a collaboration. It works well. GOOD.
Interestingly enough, this entire event is based on a minor detail from a single issue written by Alan Moore a long time ago (Tales of the Green Lantern Corps Annual #2 (1986)). That's not necessarily a problem. In fact, it shows incredible foresight and planning on the part of Geoff Johns.
Not nearly as good as last issue's Soranik/Sinestro matchup, but still quite competent - for what it is: basically an extended battle sequence. "The Battle of Mogo". It's got a nice ring to it. And that's all this issue is. In fact, it's only part one of "The Battle of Mogo". And yet, it's still pretty GOOD. A host of artists manage to achieve a sort of consistency between their work - something I've never seen in such a collaboration. It works well. GOOD.
Interestingly enough, this entire event is based on a minor detail from a single issue written by Alan Moore a long time ago (Tales of the Green Lantern Corps Annual #2 (1986)). That's not necessarily a problem. In fact, it shows incredible foresight and planning on the part of Geoff Johns.
Birds of Prey #109
Birds of Prey #109
I really don't know what to make of this title.
On the one hand, I love the Birds. On the other hand, the Black Canary miniseries sucked.
On the one hand, the women in this book are drawn looking like real women. On the other hand what's up with their faces (as drawn by Nicola Scott)?
On the one hand, it's interesting that someone should be hunting Fourth World characters. On the other hand, it pisses me off that DC is about to off every single last one of them, including Scott Free and Big Barda if the solicits are to be trusted.
On the one hand, it's cute to see Sin playing Pokemon. On the other hand, Sin's playing Pokemon?
On the one hand, it's nice to see that Barbara cares enough about Dinah, her best friend, to make sure that she knows what she's doing by marrying Ollie. On the other hand, I've had friends dating or engaged to people who were no good for them, and putting them on the defensive certainly is not the best way of making one's point.
I guess what I'm trying to say here is that while, on the one hand, this issue is filled with neat ideas, on the other hand, its execution is all wrong.
Still, it's OKAY, but if this keeps up, Bedard is certainly not going to be getting good ratings from me.
I really don't know what to make of this title.
On the one hand, I love the Birds. On the other hand, the Black Canary miniseries sucked.
On the one hand, the women in this book are drawn looking like real women. On the other hand what's up with their faces (as drawn by Nicola Scott)?
On the one hand, it's interesting that someone should be hunting Fourth World characters. On the other hand, it pisses me off that DC is about to off every single last one of them, including Scott Free and Big Barda if the solicits are to be trusted.
On the one hand, it's cute to see Sin playing Pokemon. On the other hand, Sin's playing Pokemon?
On the one hand, it's nice to see that Barbara cares enough about Dinah, her best friend, to make sure that she knows what she's doing by marrying Ollie. On the other hand, I've had friends dating or engaged to people who were no good for them, and putting them on the defensive certainly is not the best way of making one's point.
I guess what I'm trying to say here is that while, on the one hand, this issue is filled with neat ideas, on the other hand, its execution is all wrong.
Still, it's OKAY, but if this keeps up, Bedard is certainly not going to be getting good ratings from me.
Monday, August 20, 2007
Flash #231
Flash #231
It's OKAY, but I don't know. The story still seems a bit impenetrable, what with some oddly structured sentences, lots of technobabble that isn't explained, and artwork that really doesn't contribute much to the understanding of the narrative. Still, it's a clever touch that although the Tornado Twins seem to be between 5 and 7 years old, their emotional maturity is obviously still that of a child much closer to their actual age. I'll give this a few issues. It certainly could end up being really good. But right now, it's not much.
It's OKAY, but I don't know. The story still seems a bit impenetrable, what with some oddly structured sentences, lots of technobabble that isn't explained, and artwork that really doesn't contribute much to the understanding of the narrative. Still, it's a clever touch that although the Tornado Twins seem to be between 5 and 7 years old, their emotional maturity is obviously still that of a child much closer to their actual age. I'll give this a few issues. It certainly could end up being really good. But right now, it's not much.
Super-Villain Team-Up / MODOK's 11 #2
Super-Villain Team-Up / MODOK's 11 #2
GOOD. That's it. Nothing more to say. Ever seen the original Ocean's 11? Imagine that with supervillains and you'll have this book to a T. Except with more backstabbing.
I look forward to the next issue.
GOOD. That's it. Nothing more to say. Ever seen the original Ocean's 11? Imagine that with supervillains and you'll have this book to a T. Except with more backstabbing.
I look forward to the next issue.
Ultimate Spider-Man #112
Ultimate Spider-Man #112
GOOD storytelling, as always. Immonen's art is the real issue with this title. The problem is, most of the kids look extrememly similar when he draws them. And the level of detail that Bagley gave to the characters' hair is missing. And missed. Perhaps I'll get used to the new art. Or perhaps Immonen may tweak his style as he gets into the groove on this title. In the meantime, I'll stick with it because of the GOOD writing. It's just annoying because I know that Immonen can do better.
GOOD storytelling, as always. Immonen's art is the real issue with this title. The problem is, most of the kids look extrememly similar when he draws them. And the level of detail that Bagley gave to the characters' hair is missing. And missed. Perhaps I'll get used to the new art. Or perhaps Immonen may tweak his style as he gets into the groove on this title. In the meantime, I'll stick with it because of the GOOD writing. It's just annoying because I know that Immonen can do better.
Sunday, August 19, 2007
Action Comics #854
Action Comics #854
More EXCELLENT reading by Busiek. And seriously, the editors suck. Seriously. This is their note on the first page: "Oooops!! Hope you read Countdown #37 before opening this book! If you didn't...well, uh, we didn't really have much chance to warn you before page 1! Sorry!" Yeah, so I flipped through the issue of Countdown and discovered a scene where nearly nothing happens that isn't explained in this book. I'm not trusting the DC editors again until Countdown is over. Because, seriously, they keep pushing Countdown on us - like they realize it sucks but are completely unable to admit it. I mean, is anybody really reading it anymore? Thank you Kurt Busiek for making it largely irrelevant. I appreciate it a lot. You've made it so that I can read about Jimmy Olsen/Mr. Action without having to read crap.
This issue features the showdown between Jimmy and the Kryptonite Man, part 2, where Jimmy once again manifests his Werewolf and Elastic Lad powers, but also becomes a solar radiator. Then later, Jimmy faces off with Titano (!!!) and grows to ginormous proportions! And then just calms the super-ape down. Krypto moves in with Jimmy and helps him get the girl, too. And even if you know what happens, it's still a pleasure to read. So go out and buy yourself a copy right now!
The art is a bit shaky at first, especially when it comes to close-ups on Clark's face, but nowhere near the level of BAD that it is in Countdown, so that's fine.
All in all, an EXCELLENT issue.
Next: Aw, come on, Mom! Do we have to have Donner back? Seriously? Nuts!
More EXCELLENT reading by Busiek. And seriously, the editors suck. Seriously. This is their note on the first page: "Oooops!! Hope you read Countdown #37 before opening this book! If you didn't...well, uh, we didn't really have much chance to warn you before page 1! Sorry!" Yeah, so I flipped through the issue of Countdown and discovered a scene where nearly nothing happens that isn't explained in this book. I'm not trusting the DC editors again until Countdown is over. Because, seriously, they keep pushing Countdown on us - like they realize it sucks but are completely unable to admit it. I mean, is anybody really reading it anymore? Thank you Kurt Busiek for making it largely irrelevant. I appreciate it a lot. You've made it so that I can read about Jimmy Olsen/Mr. Action without having to read crap.
This issue features the showdown between Jimmy and the Kryptonite Man, part 2, where Jimmy once again manifests his Werewolf and Elastic Lad powers, but also becomes a solar radiator. Then later, Jimmy faces off with Titano (!!!) and grows to ginormous proportions! And then just calms the super-ape down. Krypto moves in with Jimmy and helps him get the girl, too. And even if you know what happens, it's still a pleasure to read. So go out and buy yourself a copy right now!
The art is a bit shaky at first, especially when it comes to close-ups on Clark's face, but nowhere near the level of BAD that it is in Countdown, so that's fine.
All in all, an EXCELLENT issue.
Next: Aw, come on, Mom! Do we have to have Donner back? Seriously? Nuts!
Booster Gold #1
B∞ster Gold #1
Booster Gold is teh awesome! I was poised to give this book merely a rating of VERY GOOD, but then Geoff Johns went and got clever on me. Rip hunter saying that Superboy Prime's punching tantrums changing history makes no sense. Writing on his blackboard that we shouldn't worry about Countdown. Asking why 2008 should hold another crisis when there was just one in 2006, following the one in 1985 and the creation of the DCU in 1939. Asking why Superman is/was no longer a member of the Legion of Super-Heroes. These are all EXCELLENT observations about stupidities within the DCU.
And then, of course, there's Skeets informing Booster that he is teh awesome.
Excellent characterization of a creation who was, at one point, one of my favorite comic book personalities. And a hilarious spoof of Johns' own coming storylines feature from the first issue of Justice Society. It is a spoof, right? I mean, it has to be, riiiight?
Could the "Red Lanterns" referred to by Rip be those from Korugar? Where they have red skin? So, that would be Sinestro, Katma Tui, and Soranik Natu.
I'm looking forward to Booster saving Ted and bringing him back to life. But what about Goldstar? She matters too, doesn't she?
Why can't Booster be his own ancestor? Screw continuity. Screw paradoxes. I want to see Michael make it with the hot grandma, and forget about his supposed loser gramps.
I like that Rip Hunter is no longer hindered by the limitation of only being able to use any given time travel method once. Post-COIE, that was the most limiting aspect of his character, and was most probably the reason that he wasn't used too much. In this title, it appears that he will not only be a supporting character (as he was in volume 1), but will, in fact, drive the plot development. Niiiice.
Booster gives Bats the brush off. After commenting that if Geo-Force can be in the League, why shouldn't he be! EXCELLENT stuff.
I also like the new logo. Instead of Boo$ter Gold, given that this time around Michael won't be focusing on making money or becoming popular, the title's spelling has been changed to B∞ster Gold highlighting the infinite nature of his crosstime adventures. It's a very nice touch.
Jurgens' work is also back to form. It's nice to see him back on his own creation. That's how you know that this book won't be teh suck.
Booster Gold is teh awesome! I was poised to give this book merely a rating of VERY GOOD, but then Geoff Johns went and got clever on me. Rip hunter saying that Superboy Prime's punching tantrums changing history makes no sense. Writing on his blackboard that we shouldn't worry about Countdown. Asking why 2008 should hold another crisis when there was just one in 2006, following the one in 1985 and the creation of the DCU in 1939. Asking why Superman is/was no longer a member of the Legion of Super-Heroes. These are all EXCELLENT observations about stupidities within the DCU.
And then, of course, there's Skeets informing Booster that he is teh awesome.
Excellent characterization of a creation who was, at one point, one of my favorite comic book personalities. And a hilarious spoof of Johns' own coming storylines feature from the first issue of Justice Society. It is a spoof, right? I mean, it has to be, riiiight?
Could the "Red Lanterns" referred to by Rip be those from Korugar? Where they have red skin? So, that would be Sinestro, Katma Tui, and Soranik Natu.
I'm looking forward to Booster saving Ted and bringing him back to life. But what about Goldstar? She matters too, doesn't she?
Why can't Booster be his own ancestor? Screw continuity. Screw paradoxes. I want to see Michael make it with the hot grandma, and forget about his supposed loser gramps.
I like that Rip Hunter is no longer hindered by the limitation of only being able to use any given time travel method once. Post-COIE, that was the most limiting aspect of his character, and was most probably the reason that he wasn't used too much. In this title, it appears that he will not only be a supporting character (as he was in volume 1), but will, in fact, drive the plot development. Niiiice.
Booster gives Bats the brush off. After commenting that if Geo-Force can be in the League, why shouldn't he be! EXCELLENT stuff.
I also like the new logo. Instead of Boo$ter Gold, given that this time around Michael won't be focusing on making money or becoming popular, the title's spelling has been changed to B∞ster Gold highlighting the infinite nature of his crosstime adventures. It's a very nice touch.
Jurgens' work is also back to form. It's nice to see him back on his own creation. That's how you know that this book won't be teh suck.
Friday, August 17, 2007
X-Men Endangered Species #8
X-Men: Endangered Species #8
I've actually been enjoying this story a lot lately. Although many people hate him, hate him, hate him, I've always enjoyed Dark Beast. Probably because I enjoyed the original Age of Apocalypse so much. So here, in a story that places Henry McCoy and Henry McCoy side by side as allies, it's interesting to view the differences between the two characters. Dark Beast wears a leather overcoat. He has peircings. His fur is darker. He's not feline in appearance. Gone, however, are the spiky hairs that were typical of 90's era Madureira and company styles. It was cool back then to think that his self-experimentation had gotten to the point that his hair had turned into quills in some places.
This story is well written and well paced. Unfortunately, it requires the purchase of several poorer quality books to follow the entire thing. Unless, of course, you can get away with reading the entire eight pages at your LCS or Borders. Still, the recap page is such that you can skip an episode here and there and still remain caught up with the story. It's quite GOOD, actually, and I'm interested in seeing where it goes. It's got 72 more pages to do something with, so I'm quite excited.
I've actually been enjoying this story a lot lately. Although many people hate him, hate him, hate him, I've always enjoyed Dark Beast. Probably because I enjoyed the original Age of Apocalypse so much. So here, in a story that places Henry McCoy and Henry McCoy side by side as allies, it's interesting to view the differences between the two characters. Dark Beast wears a leather overcoat. He has peircings. His fur is darker. He's not feline in appearance. Gone, however, are the spiky hairs that were typical of 90's era Madureira and company styles. It was cool back then to think that his self-experimentation had gotten to the point that his hair had turned into quills in some places.
This story is well written and well paced. Unfortunately, it requires the purchase of several poorer quality books to follow the entire thing. Unless, of course, you can get away with reading the entire eight pages at your LCS or Borders. Still, the recap page is such that you can skip an episode here and there and still remain caught up with the story. It's quite GOOD, actually, and I'm interested in seeing where it goes. It's got 72 more pages to do something with, so I'm quite excited.
New X-Men #41
New X-Men #41
Gawd, that was AWFUL. What was the point? Santo turns into a limbo rock monster. Hey, wasn't Limbo Rock a sixties song? By Chubby Checker?
An unnamed boy comes back with no name. And a new arm. Pixie (what are her powers exactly?) loses a piece of her soul. A pointless reunion between Ilyana Rasputin and Colossus. Is it her? Isn't it? If it is, then why doesn't Belasco recognize her as the one he's been searching for? If it isn't, then why does her reunion with her brother go like it does?
An entirely pointless issue of an entirely pointless story in what has become an entirely pointless series. And I can't stand the art. It's cute for a story of some kids just sitting around and talking, but when it tries to portray action sequences, it fails miserably. I've become aware of Skottie Young recently, and I've seen him to be an extremely talented and versatile artist. So why can't he just change styles depending on what he's trying to portray? Why did he decide to go with the cutesy manga look for this series anyways? Why not the Sienkiewicz style? Or something else?
AWFUL.
Gawd, that was AWFUL. What was the point? Santo turns into a limbo rock monster. Hey, wasn't Limbo Rock a sixties song? By Chubby Checker?
An unnamed boy comes back with no name. And a new arm. Pixie (what are her powers exactly?) loses a piece of her soul. A pointless reunion between Ilyana Rasputin and Colossus. Is it her? Isn't it? If it is, then why doesn't Belasco recognize her as the one he's been searching for? If it isn't, then why does her reunion with her brother go like it does?
An entirely pointless issue of an entirely pointless story in what has become an entirely pointless series. And I can't stand the art. It's cute for a story of some kids just sitting around and talking, but when it tries to portray action sequences, it fails miserably. I've become aware of Skottie Young recently, and I've seen him to be an extremely talented and versatile artist. So why can't he just change styles depending on what he's trying to portray? Why did he decide to go with the cutesy manga look for this series anyways? Why not the Sienkiewicz style? Or something else?
AWFUL.
Sub-Mariner #3
Sub-Mariner #3
There are only three reasons to be reading this series. 1) You are a fan of the Sub-Mariner. 2) You are genuinely interested in how the development from the beginning of issue #1 came to pass. 3) Because it's there. If #1, ignore this post. If #3, there's absolutely no excuse for you to still be reading this series. It's not good. And if you don't care about Namor or his fate, then there's no other reason to read this.
And if your reason is reason #2, then skip this issue, because the only thing that happens of any importance to the plot is that Charles Xavier helps Namor figure out where the rogue cell is.
Things that happen that don't matter? This book has loads of them. Let's start at the beginning, shall we?
Namor fights Logan for no reason whatsoever. Namor gets chewed out by Xavier for still having spies in the US, and then Xavier proceeds to cut off his nose to spite his face. That is to say, he refuses any further help to Namor, rather than helping him find and punish those rogue Atlanteans who are carrying out terrorist attacks on the US. I know that Chuck is egotistical, but this is ridiculous! Then Namor trashes a Sentinel unit and advises them to return to the original, cheaper model. Then the terrorists do, uh, something (?) in Seattle. What? Got no clue. (Apparently they're dumping garbage. Yeah! Scaaaary terrorists! Whoooooo. They're going to destroy our nation by littering it to death! Hahahaha!) Then the rogue faction in Atlantis plots a coup. Then Namor is attacked by Venom II who rips his stupid little wings off.
But all that stuff is inconsequential to the plot! If Xavier won't help Namor, then there's no reason to even show him there!
Yay. Namor fights Logan and a Sentinel. Big freaking deal.
Two pages of impenetrable events regarding the terrorists doing something in Seattle. One page of the separatists plotting their coup. Then an incomplete fight with Venom.
This book could be used as a classroom example of how not to write a superhero comic. Because nothing happens! Sure, I understand this issue's place in the scope of the greater miniseries, but if Cherniss had nothing to say here, then he certainly had no business making this series a six parter instead of five.
And it's still bannered with The Initiative! Why? Is it an ad? Or does Marvel editorial really view this issue as a crossover? Really? Why, because it has Tony Stark on hand? Ridiculous.
So skip this issue. If you need to find out how Atlantis got destroyed, just buy the next book or the one after that. This CRAP can be skipped.
There are only three reasons to be reading this series. 1) You are a fan of the Sub-Mariner. 2) You are genuinely interested in how the development from the beginning of issue #1 came to pass. 3) Because it's there. If #1, ignore this post. If #3, there's absolutely no excuse for you to still be reading this series. It's not good. And if you don't care about Namor or his fate, then there's no other reason to read this.
And if your reason is reason #2, then skip this issue, because the only thing that happens of any importance to the plot is that Charles Xavier helps Namor figure out where the rogue cell is.
Things that happen that don't matter? This book has loads of them. Let's start at the beginning, shall we?
Namor fights Logan for no reason whatsoever. Namor gets chewed out by Xavier for still having spies in the US, and then Xavier proceeds to cut off his nose to spite his face. That is to say, he refuses any further help to Namor, rather than helping him find and punish those rogue Atlanteans who are carrying out terrorist attacks on the US. I know that Chuck is egotistical, but this is ridiculous! Then Namor trashes a Sentinel unit and advises them to return to the original, cheaper model. Then the terrorists do, uh, something (?) in Seattle. What? Got no clue. (Apparently they're dumping garbage. Yeah! Scaaaary terrorists! Whoooooo. They're going to destroy our nation by littering it to death! Hahahaha!) Then the rogue faction in Atlantis plots a coup. Then Namor is attacked by Venom II who rips his stupid little wings off.
But all that stuff is inconsequential to the plot! If Xavier won't help Namor, then there's no reason to even show him there!
Yay. Namor fights Logan and a Sentinel. Big freaking deal.
Two pages of impenetrable events regarding the terrorists doing something in Seattle. One page of the separatists plotting their coup. Then an incomplete fight with Venom.
This book could be used as a classroom example of how not to write a superhero comic. Because nothing happens! Sure, I understand this issue's place in the scope of the greater miniseries, but if Cherniss had nothing to say here, then he certainly had no business making this series a six parter instead of five.
And it's still bannered with The Initiative! Why? Is it an ad? Or does Marvel editorial really view this issue as a crossover? Really? Why, because it has Tony Stark on hand? Ridiculous.
So skip this issue. If you need to find out how Atlantis got destroyed, just buy the next book or the one after that. This CRAP can be skipped.
Friendly Neighborhood Spider-Man #23
Friendly Neighborhood Spider-Man #23
PAD delivers another EXCELLENT issue! Great dialogue, as always, and a witty reminder that families often think alike.
Again, although part of a larger story within a larger story, this issue is basically a one-off featuring the long-time-coming final confrontation between Spidey and JJJ - face to face and man to man. Each of them works out their frustrations on the other, and each of them emerges changed for the better. And PAD does his bit by helping to reset Spidey's status quo in the wake of Civil War (STUPID) by having JJJ drop the lawsuit against Peter, rehire Robby, and (probably) stop attacking Spidey in the paper based on the Registration Act. Sure, one of those is a probably, and the other just happened two issues ago, but still, this feels like the kind of Spider-Man books we should be reading nowadays, instead of the shit that JMS has been putting out, and is about to force upon us with JoeyDaQ's blessing in "One More Day". Peter David needs more work in the mainstream Marvel Universe. Taking Spidey away from him in favor of JMS is not right.
It's cool that he was able to work the title of the book, and even its acronym, into the dialogue several times.
PAD delivers another EXCELLENT issue! Great dialogue, as always, and a witty reminder that families often think alike.
Again, although part of a larger story within a larger story, this issue is basically a one-off featuring the long-time-coming final confrontation between Spidey and JJJ - face to face and man to man. Each of them works out their frustrations on the other, and each of them emerges changed for the better. And PAD does his bit by helping to reset Spidey's status quo in the wake of Civil War (STUPID) by having JJJ drop the lawsuit against Peter, rehire Robby, and (probably) stop attacking Spidey in the paper based on the Registration Act. Sure, one of those is a probably, and the other just happened two issues ago, but still, this feels like the kind of Spider-Man books we should be reading nowadays, instead of the shit that JMS has been putting out, and is about to force upon us with JoeyDaQ's blessing in "One More Day". Peter David needs more work in the mainstream Marvel Universe. Taking Spidey away from him in favor of JMS is not right.
It's cool that he was able to work the title of the book, and even its acronym, into the dialogue several times.
Brave and the Bold #6
Brave and the Bold #6
(The first time I typed that, it came out Boild! Hah!)
VERY VERY GOOD. Sure, it's nonsensical. Sure, the Challengers weren't a big surprise - I was wondering when they'd finally show up. The main thing is, this here's a modern age comic with silver age overtones. The plot is silver agey, the characterization is silver agey, the incidentals and details (a giant firing gun?!!) are silver agey, hell, even the art is silver agey! It's great! This is probably very similar to what All-Star Superman would be like if it were in-continuity. A wonderful wrap-up to this first arc ending a whirlwind tour of many corners of the DCU including the mainstream superhero universe, Waid's 31st century, Rann, Lobo, the Challengers of the Unknown, and even Destiny of the Endless! All that's missing here is a visit from John Constantine.
Great stuff, and it leaves me wanting more, always the best sign of a VERY GOOD comic book.
Why not EXCELLENT? Strangely enough, for the very same reason that I lauded the book above: Silver age weirdness. Sure, it's all good, but in this modern age of readers with deeper scientific backgrounds, more education, and more inquisitive minds, it's not fair to throw in all the weirdness and not explain it sufficiently. In the Silver Age, they often had copius editor's notes explaining the science of the concepts used in the stories. Sure, it was often overly simplistic or wrong, but at least they made an effort. In this story, the characters all seem to understand the internal logic of the concepts involved, but the same is never made clear to us. Still, it's fun, and the lack of explanation, is sorta retro - in a way - so it gets that high rating.
(The first time I typed that, it came out Boild! Hah!)
VERY VERY GOOD. Sure, it's nonsensical. Sure, the Challengers weren't a big surprise - I was wondering when they'd finally show up. The main thing is, this here's a modern age comic with silver age overtones. The plot is silver agey, the characterization is silver agey, the incidentals and details (a giant firing gun?!!) are silver agey, hell, even the art is silver agey! It's great! This is probably very similar to what All-Star Superman would be like if it were in-continuity. A wonderful wrap-up to this first arc ending a whirlwind tour of many corners of the DCU including the mainstream superhero universe, Waid's 31st century, Rann, Lobo, the Challengers of the Unknown, and even Destiny of the Endless! All that's missing here is a visit from John Constantine.
Great stuff, and it leaves me wanting more, always the best sign of a VERY GOOD comic book.
Why not EXCELLENT? Strangely enough, for the very same reason that I lauded the book above: Silver age weirdness. Sure, it's all good, but in this modern age of readers with deeper scientific backgrounds, more education, and more inquisitive minds, it's not fair to throw in all the weirdness and not explain it sufficiently. In the Silver Age, they often had copius editor's notes explaining the science of the concepts used in the stories. Sure, it was often overly simplistic or wrong, but at least they made an effort. In this story, the characters all seem to understand the internal logic of the concepts involved, but the same is never made clear to us. Still, it's fun, and the lack of explanation, is sorta retro - in a way - so it gets that high rating.
Friday, August 10, 2007
New Avengers #33
New Avengers #33
HOW COULD ECHO HEAR A KNOCK AT THE DOOR??!!! If you're going to write a deaf character, be consistent. I'm sick and tired of seeing her respond to people whose mouths she can't see, respond to noises she can't hear. Either write her deaf, or explain that it was all a ruse, and that she's not really deaf. Because otherwise? You're just a hack.
And here I was, anticipating the introduction of The Hood into the pages of New Avengers, but it turns out he's being used as just some random villain in a conspiracy. It could've been anybody. (Well, anybody who can turn invisible, but still.)
And now Jessica isn't a Skrull? Make your damn minds up already! Luke accuses everybody and their aunt's roommate's dog of being a Skrull. It's getting boring. Where is all this paranoia coming from? Has he been dosed by Mister Fear? And I've had enough with Luke's arachnophobia. However, his argument, that Peter revealed his identity publicly on TV, then ended up not supporting the registration act, is pretty compelling. But Luke doesn't know about writers who are so full of themselves that they believe that they can do anything to established characters, no matter how out of character it may be, and not have to worry about the consequences. Yes, I'm talking to you, JMS and Millar. But we know. Oh, do we know. EH.
HOW COULD ECHO HEAR A KNOCK AT THE DOOR??!!! If you're going to write a deaf character, be consistent. I'm sick and tired of seeing her respond to people whose mouths she can't see, respond to noises she can't hear. Either write her deaf, or explain that it was all a ruse, and that she's not really deaf. Because otherwise? You're just a hack.
And here I was, anticipating the introduction of The Hood into the pages of New Avengers, but it turns out he's being used as just some random villain in a conspiracy. It could've been anybody. (Well, anybody who can turn invisible, but still.)
And now Jessica isn't a Skrull? Make your damn minds up already! Luke accuses everybody and their aunt's roommate's dog of being a Skrull. It's getting boring. Where is all this paranoia coming from? Has he been dosed by Mister Fear? And I've had enough with Luke's arachnophobia. However, his argument, that Peter revealed his identity publicly on TV, then ended up not supporting the registration act, is pretty compelling. But Luke doesn't know about writers who are so full of themselves that they believe that they can do anything to established characters, no matter how out of character it may be, and not have to worry about the consequences. Yes, I'm talking to you, JMS and Millar. But we know. Oh, do we know. EH.
Incredible Hulk #109
Incredible Hulk #109
See? Now that's what I'm talking about! None of that stupid melodrama rehash flashback crap from last issue. Real forward momentum! This is VERY GOOD stuff. What makes it so good is that I honestly can't see any way out of this mess for the Hulk other than his total victory followed by he and his warbound leaving Earth. But if he is able to declare victory, then what does that mean for the rest of the planet's heroes? And if he wins, why would he leave? Yet, if he loses, how could this title possibly continue? It is specifically these questions that elevate this book to VERY GOOD status.
How much sweeter would it have been if Ghost Rider had stuck around to join the "Renegades"?
And HELL YEAH! General Ross gets fitted with an "Obedience Disk!" RIGHT ON! I wonder who he's going to have to go up against in the arena. I hope it's somebody really powerful, and he gets his puny white ass fried.
See? Now that's what I'm talking about! None of that stupid melodrama rehash flashback crap from last issue. Real forward momentum! This is VERY GOOD stuff. What makes it so good is that I honestly can't see any way out of this mess for the Hulk other than his total victory followed by he and his warbound leaving Earth. But if he is able to declare victory, then what does that mean for the rest of the planet's heroes? And if he wins, why would he leave? Yet, if he loses, how could this title possibly continue? It is specifically these questions that elevate this book to VERY GOOD status.
How much sweeter would it have been if Ghost Rider had stuck around to join the "Renegades"?
And HELL YEAH! General Ross gets fitted with an "Obedience Disk!" RIGHT ON! I wonder who he's going to have to go up against in the arena. I hope it's somebody really powerful, and he gets his puny white ass fried.
Un-Men #1
Un-Men #1
A solid beginning to what may turn out to be the best DCU Vertigo series in quite some time. This series is being set in the constraints of the larger DC magical/mature audiences universe, no retcons, revamps, or reboots required, continuing directly from the story in American Freak, but hopefully fixing some of the continuity errors it introduced along the way. If John Whalen's letter at the end of the issue is any indication, it's already doing so by acknowledging Anton Arcane's creation of the first generation Un-Men.
But it's not really about that. The freakish personalities and settings herein are merely color to a noir detective story. And this story hits all the right beats: hard boiled outcast detective, a beautiful woman, a conspiracy, a murder, a cover-up, etc. It's darn near perfect. Just with freaks. And Cranius!
A VERY GOOD first issue that has me looking forward to the next with fervor. Unlike several of the new generation of Vertigo titles: Creeper, Deadman, and Army @ Love, none of which I am reading any more. I quit Creeper because I couldn't stand the revamp/reboot. I quit Deadman because it made no fucking sense. And I quit Army @ Love because it's stupid, pointless, ridiculous, and boring. Here's hoping that Vertigo will actually get it right on this title.
A solid beginning to what may turn out to be the best DCU Vertigo series in quite some time. This series is being set in the constraints of the larger DC magical/mature audiences universe, no retcons, revamps, or reboots required, continuing directly from the story in American Freak, but hopefully fixing some of the continuity errors it introduced along the way. If John Whalen's letter at the end of the issue is any indication, it's already doing so by acknowledging Anton Arcane's creation of the first generation Un-Men.
But it's not really about that. The freakish personalities and settings herein are merely color to a noir detective story. And this story hits all the right beats: hard boiled outcast detective, a beautiful woman, a conspiracy, a murder, a cover-up, etc. It's darn near perfect. Just with freaks. And Cranius!
A VERY GOOD first issue that has me looking forward to the next with fervor. Unlike several of the new generation of Vertigo titles: Creeper, Deadman, and Army @ Love, none of which I am reading any more. I quit Creeper because I couldn't stand the revamp/reboot. I quit Deadman because it made no fucking sense. And I quit Army @ Love because it's stupid, pointless, ridiculous, and boring. Here's hoping that Vertigo will actually get it right on this title.
Jack of Fables #13
Jack of Fables #13
A VERY GOOD issue. Heavy on the snark, light on the boring. Unfortunately, no mention is made here of the fact that Excalibur is currently central to Ambrose's tale over in the parent title.
Ghost's actions in this month's issue make the Pathetic Fallacy's explanation here seem even more plausible, so kudos to Willingham for the synchronicity. I'm quite interested in where this story goes.
Also?
Quote of the Week!:
A VERY GOOD issue. Heavy on the snark, light on the boring. Unfortunately, no mention is made here of the fact that Excalibur is currently central to Ambrose's tale over in the parent title.
Ghost's actions in this month's issue make the Pathetic Fallacy's explanation here seem even more plausible, so kudos to Willingham for the synchronicity. I'm quite interested in where this story goes.
Also?
Quote of the Week!:
Fables #64
Fables #64
Another EXCELLENT issue. At first, the guest art threw me a bit, but after a few pages it became endearing. Not sure that I could stand it full-time though, but it's uniquely suited to cutesy scenes like the ones which fill this book. And there's even an unsolicited Jack of Fables crossover! Hah!
I look forward to reading this book every month, and this issue is a good example as to the reasons why.
Another EXCELLENT issue. At first, the guest art threw me a bit, but after a few pages it became endearing. Not sure that I could stand it full-time though, but it's uniquely suited to cutesy scenes like the ones which fill this book. And there's even an unsolicited Jack of Fables crossover! Hah!
I look forward to reading this book every month, and this issue is a good example as to the reasons why.
Thursday, August 09, 2007
Black Adam: The Dark Age #1
Black Adam: The Dark Age #1
Being that I hate Countdown, and thought that World War III was the most ludicrous piece of trash published by DC in the past decade or so, I almost didn't read this. I almost cheated myself out of a GOOD read. And it is GOOD. Even though the outcome is not in doubt - a shame that DC couldn't get their acts together and release this before the start of Countdown, eh? - it's the journey that matters. I was listening to NPR today, and they had a segment on all the successful biopics about pop stars from Cole Porter to Johnny Case, to Sid Vicious and Ritchie Valens. Even though we know all about these people, the movies about their lives are big hits. Why? Because of the fact that seeing people that we're familiar with overcome adversity is uplifting for us. Even when they don't overcome their travails, it's still enlightening. And thus, even though we know where Adam ends up, it's the journey that counts. In some way, each of us realizes that he's never truly been a villain. He's merely been misunderstood for using whatever means necessary to protect his people. Kind of like Doctor Doom, but without the megalomaniacal impulse to conquer the world and make the heroes pay for imagined slights.
There are only two problems with this book.
One) Isn't Teth-Adam supposed to appear significantly different from Black Adam? Apart from the physique, aren't their faces supposed to be different?
Two) Didn't Batman destroy all the world's Lazarus pits, except for the one he created in the Batcave?
Other than that, it's a GOOD book, and I find myself, against all odds, looking forward to the next issue.
Being that I hate Countdown, and thought that World War III was the most ludicrous piece of trash published by DC in the past decade or so, I almost didn't read this. I almost cheated myself out of a GOOD read. And it is GOOD. Even though the outcome is not in doubt - a shame that DC couldn't get their acts together and release this before the start of Countdown, eh? - it's the journey that matters. I was listening to NPR today, and they had a segment on all the successful biopics about pop stars from Cole Porter to Johnny Case, to Sid Vicious and Ritchie Valens. Even though we know all about these people, the movies about their lives are big hits. Why? Because of the fact that seeing people that we're familiar with overcome adversity is uplifting for us. Even when they don't overcome their travails, it's still enlightening. And thus, even though we know where Adam ends up, it's the journey that counts. In some way, each of us realizes that he's never truly been a villain. He's merely been misunderstood for using whatever means necessary to protect his people. Kind of like Doctor Doom, but without the megalomaniacal impulse to conquer the world and make the heroes pay for imagined slights.
There are only two problems with this book.
One) Isn't Teth-Adam supposed to appear significantly different from Black Adam? Apart from the physique, aren't their faces supposed to be different?
Two) Didn't Batman destroy all the world's Lazarus pits, except for the one he created in the Batcave?
Other than that, it's a GOOD book, and I find myself, against all odds, looking forward to the next issue.
New Excalibur #22
New Excalibur #22
I don't know why I expected anything else, but this issue was CRAP. Apparently Albion and the "Shadow Captains" have taken over Britain by negating all technology. So what? It's not as if this hasn't been done elsewhere. Or has it? Well, it seems like it has. It seems tired.
Quick! Somebody tell Claremont that Blair isn't Prime Minister any more!
Then a big fight with the "Shadow Captains" versus the Excalibur team and "Shadow-X" - is it just me, or are there too many Shadows here? - Shadow Beast dies, but takes a whole GODDAMN page to do it. See if I care. I can't even see his face! That said, the inker, whoever it was - this issue has four of them! - does a pretty good job with what he's given.
The dialogue is hackneyed, the plot is worn-out, I can't wait until Cornell takes over this title, and we can finally get some good storytelling out of it. Until then, this is just CRAP.
I don't know why I expected anything else, but this issue was CRAP. Apparently Albion and the "Shadow Captains" have taken over Britain by negating all technology. So what? It's not as if this hasn't been done elsewhere. Or has it? Well, it seems like it has. It seems tired.
Quick! Somebody tell Claremont that Blair isn't Prime Minister any more!
Then a big fight with the "Shadow Captains" versus the Excalibur team and "Shadow-X" - is it just me, or are there too many Shadows here? - Shadow Beast dies, but takes a whole GODDAMN page to do it. See if I care. I can't even see his face! That said, the inker, whoever it was - this issue has four of them! - does a pretty good job with what he's given.
The dialogue is hackneyed, the plot is worn-out, I can't wait until Cornell takes over this title, and we can finally get some good storytelling out of it. Until then, this is just CRAP.
Ghost Rider #14
Ghost Rider #14
That was so unbelievably AWFUL, it defies description. I don't even know what more I can say abou it. Additionally, this new storyline proceeds to completely ignore the events of the past two issues - GR's confrontation with the Hulk, Johnny giving full rein to the Spirit of Vengeance - and just returns to killing the 666 pieces of Lucifer. And this issue tries to tie in to Ennis' Ghost Rider mini from a few years ago. That was dumb. So is this. But this is even dumber because it doesn't realize that it's dumb. It's AWFUL. And it's the last issue I'm reading of this title. I am fully convinced that Daniel Way can't write for shit, and until such time as Marvel realizes that fact, I refuse to read another book that he's written. I've given up Wolverine: Origins. Now I'm done with this turdfest.
That was so unbelievably AWFUL, it defies description. I don't even know what more I can say abou it. Additionally, this new storyline proceeds to completely ignore the events of the past two issues - GR's confrontation with the Hulk, Johnny giving full rein to the Spirit of Vengeance - and just returns to killing the 666 pieces of Lucifer. And this issue tries to tie in to Ennis' Ghost Rider mini from a few years ago. That was dumb. So is this. But this is even dumber because it doesn't realize that it's dumb. It's AWFUL. And it's the last issue I'm reading of this title. I am fully convinced that Daniel Way can't write for shit, and until such time as Marvel realizes that fact, I refuse to read another book that he's written. I've given up Wolverine: Origins. Now I'm done with this turdfest.
Wednesday, August 08, 2007
Countdown #38
Countdown #38
Why did I even bother to skim through this issue? Only because, due to Busiek's great work on the character, I wanted to see Jimmy Olsen try out for the Teen Titans. A couple of problems rear their heads here. First, how does Robin know who Mister Action is? And why did Jimmy think it would be a good idea to tell him? And isn't Jimmy much older? Like, in his upper twenties? At least, he's not a teen.
Whatever.
It all boils down to Calculator's avatar's ASS on Oracle's computer screen. And I think that one image sums up this entire series.
Why did I even bother to skim through this issue? Only because, due to Busiek's great work on the character, I wanted to see Jimmy Olsen try out for the Teen Titans. A couple of problems rear their heads here. First, how does Robin know who Mister Action is? And why did Jimmy think it would be a good idea to tell him? And isn't Jimmy much older? Like, in his upper twenties? At least, he's not a teen.
Whatever.
It all boils down to Calculator's avatar's ASS on Oracle's computer screen. And I think that one image sums up this entire series.
Daredevil #99
Daredevil #99
The big revelation came so far out of left field that it meant nothing to me! I had to wikipedia it, and afterwards, it still meant nothing to me. There were no hints that this character would be coming back, and no good reason for him to do so. The character hasn't been featured in the pages of Daredevil since volume 1, #315, all the way back in 1993. Sure, he appeared in 2004-05's little-read Secret War, but again, nobody read that. Sure, he was shown breaking out of the Raft back at the beginning of New Avengers, but so many of those who escaped have failed to resurface that it's ludicrous that this particular villain should - and should have garnered enough influence to screw with Daredevil's neighborhood in such a manner, and ludicrous again that he should have such a personal vendetta against Daredevil, after all these years. And that was a different person!!! There have been four individuals to wear the persona of this particular villain, and the one who's actually featured in this book hasn't been seen forever (1995?)! Probably because there are major continuity problems regarding his continued existence.
Ah, to hell with it. I can't critique this book well without spoiling it.
It's Larry Cranston.
Not ringing any bells?
Mister Fear.
Still nothing?
You're not alone.
This character also has major continuity problems which have, apparently, never been addressed. For example:
How did Cranston, who was so dead that his nephew Fagan inherited his Fear get-up and made pilgrimages to his crypt, manage to survive a fall to his apparent death, land a teaching position at a major university despite being publicly known as the third Mr. Fear, hang on to the position long enough to become a full-fledged professor, and then graduate to doing TV commentary in New York without Matt Murdock noticing and saying, "hey, that's my old school buddy, the one who tried to kill me and Natasha when we all lived in San Francisco!"
See? It's stupid.
Shame on you, Brubaker, I expected more.
Plus, this issue's pretty weak. The only good part is where Daredevil beats on some thugs, and that's just one page.
And then Milla kills a man. Actually, she tried to kill Lily Lucca. You know? The lady with the pheromone powers? Or whatever? Yeah, she tries to push Lily in front of a train. But Lily's fall is blocked by some poor guy who takes the fall instead. Right as the train comes. How in the world did the wonderful Devil in Cellblock D ever turn into this tripe? AWFUL. Just AWFUL. This title has gotten progressively worse. It's time to get back to basics already, if this is the best Brubaker can do.
The big revelation came so far out of left field that it meant nothing to me! I had to wikipedia it, and afterwards, it still meant nothing to me. There were no hints that this character would be coming back, and no good reason for him to do so. The character hasn't been featured in the pages of Daredevil since volume 1, #315, all the way back in 1993. Sure, he appeared in 2004-05's little-read Secret War, but again, nobody read that. Sure, he was shown breaking out of the Raft back at the beginning of New Avengers, but so many of those who escaped have failed to resurface that it's ludicrous that this particular villain should - and should have garnered enough influence to screw with Daredevil's neighborhood in such a manner, and ludicrous again that he should have such a personal vendetta against Daredevil, after all these years. And that was a different person!!! There have been four individuals to wear the persona of this particular villain, and the one who's actually featured in this book hasn't been seen forever (1995?)! Probably because there are major continuity problems regarding his continued existence.
Ah, to hell with it. I can't critique this book well without spoiling it.
It's Larry Cranston.
Not ringing any bells?
Mister Fear.
Still nothing?
You're not alone.
This character also has major continuity problems which have, apparently, never been addressed. For example:
How did Cranston, who was so dead that his nephew Fagan inherited his Fear get-up and made pilgrimages to his crypt, manage to survive a fall to his apparent death, land a teaching position at a major university despite being publicly known as the third Mr. Fear, hang on to the position long enough to become a full-fledged professor, and then graduate to doing TV commentary in New York without Matt Murdock noticing and saying, "hey, that's my old school buddy, the one who tried to kill me and Natasha when we all lived in San Francisco!"
See? It's stupid.
Shame on you, Brubaker, I expected more.
Plus, this issue's pretty weak. The only good part is where Daredevil beats on some thugs, and that's just one page.
And then Milla kills a man. Actually, she tried to kill Lily Lucca. You know? The lady with the pheromone powers? Or whatever? Yeah, she tries to push Lily in front of a train. But Lily's fall is blocked by some poor guy who takes the fall instead. Right as the train comes. How in the world did the wonderful Devil in Cellblock D ever turn into this tripe? AWFUL. Just AWFUL. This title has gotten progressively worse. It's time to get back to basics already, if this is the best Brubaker can do.
Tuesday, August 07, 2007
World War Hulk #2
World War Hulk #2
This miniseries actually published a letters column! And one of those letters was mine! The best thing about it was that I didn't discover this on my own. One of my friends bought the issue, but he never reads the letters columns - he just reads the stories (in the bathroom). Well, he left the issue there, and his wife, who never reads the stories - she only reads the letters columns - saw it and said that she'd read my letter. Of course, not having read the issue yet, I had NO IDEA what she was talking about. So she explained. This is the third letter, as far as I'm aware, that's been published. (The others were in FNSM#13 and USM#110.) And it feels really good. It feels like validation. It feels like VICTORY! Now I only need to get close to the number of letters Adrian Watts has had published. Heh. Fat chance. That dude's got some wicked amazing joss to have been published as much as he has. I'm waiting for Marvel to notice him and give him a shot writing, because, yeah, if they think he's good enough to publish six letters from him per week, then he's definitely better than some of the godawful writers they've got in the bullpen currently. Here's to you, Adrian!
This miniseries actually published a letters column! And one of those letters was mine! The best thing about it was that I didn't discover this on my own. One of my friends bought the issue, but he never reads the letters columns - he just reads the stories (in the bathroom). Well, he left the issue there, and his wife, who never reads the stories - she only reads the letters columns - saw it and said that she'd read my letter. Of course, not having read the issue yet, I had NO IDEA what she was talking about. So she explained. This is the third letter, as far as I'm aware, that's been published. (The others were in FNSM#13 and USM#110.) And it feels really good. It feels like validation. It feels like VICTORY! Now I only need to get close to the number of letters Adrian Watts has had published. Heh. Fat chance. That dude's got some wicked amazing joss to have been published as much as he has. I'm waiting for Marvel to notice him and give him a shot writing, because, yeah, if they think he's good enough to publish six letters from him per week, then he's definitely better than some of the godawful writers they've got in the bullpen currently. Here's to you, Adrian!
Batman #666
Batman #666
I've read a lot of mixed reviews regarding this book. I guess it's about time that I throw my two cents in. Honestly? It's really not bad. In fact, if all of Morrison's Damian stories had been this good, that storyline wouldn't have sucked so hard. This issue was VERY GOOD, especially in light of the fact that I, who as y'all know, love my done-in-ones, wish this could be a three parter. That's how good it is. I want to read more tales of this Batman and his world. However...since it's pretty much assured that this future is not the future of the DCU as it will come to pass, wouldn't this story have been better served by publication in an Elseworlds trade? There'd also be more pages to work with in that case. If course, DC editorial have their heads shoved so far up their butts that I'll bet they never even thought about this. Oh, well
I've read a lot of mixed reviews regarding this book. I guess it's about time that I throw my two cents in. Honestly? It's really not bad. In fact, if all of Morrison's Damian stories had been this good, that storyline wouldn't have sucked so hard. This issue was VERY GOOD, especially in light of the fact that I, who as y'all know, love my done-in-ones, wish this could be a three parter. That's how good it is. I want to read more tales of this Batman and his world. However...since it's pretty much assured that this future is not the future of the DCU as it will come to pass, wouldn't this story have been better served by publication in an Elseworlds trade? There'd also be more pages to work with in that case. If course, DC editorial have their heads shoved so far up their butts that I'll bet they never even thought about this. Oh, well
Thor #2
Thor #2
I really wasn't expecting much from this series, so the first issue pleasantly surprised me, and this latest installment has taken my surprise to entirely new heights. It's good! It's very VERY GOOD. It's got shades of Thor: Lord of Asgard, what with the giant monolith of Asgard floating above the Oklahoma desert, but that's where the comparisons end. After all, it's only floating there because the cops told him it couldn't be on the ground! And he pays for the land! Nicely done. I wonder if we're about to enter into Sandman territory here with his search for his friends, the lost gods of Asgard. Is he going to go metaphysical on us searching for them in the collective unconscious? Or perhaps he'll take it more literally and look for them at the local library or university classics department. Or perhaps he'll go figurative and find his friends by searching for places and items which they represent?
But why would he ever want to bring back Loki? And if Odin returns, does that mean that Thor will be beholden to him once more, or will this incarnation present them on equal footing?
Regardless of where JMS takes this story, I'd venture to say that we're in for quite a ride.
And it's got great dialogue too!
Next issue features the obligatory confrontation between Thor - an unregistered superhuman - and the fascist dick who used to be Iron Man. At least, I think so. Maybe it'd be best to skip it? Maybe it'll be as good as Nova's similar story was? We'll see. For now, I'm enjoying this series, and will continue reading it.
I really wasn't expecting much from this series, so the first issue pleasantly surprised me, and this latest installment has taken my surprise to entirely new heights. It's good! It's very VERY GOOD. It's got shades of Thor: Lord of Asgard, what with the giant monolith of Asgard floating above the Oklahoma desert, but that's where the comparisons end. After all, it's only floating there because the cops told him it couldn't be on the ground! And he pays for the land! Nicely done. I wonder if we're about to enter into Sandman territory here with his search for his friends, the lost gods of Asgard. Is he going to go metaphysical on us searching for them in the collective unconscious? Or perhaps he'll take it more literally and look for them at the local library or university classics department. Or perhaps he'll go figurative and find his friends by searching for places and items which they represent?
But why would he ever want to bring back Loki? And if Odin returns, does that mean that Thor will be beholden to him once more, or will this incarnation present them on equal footing?
Regardless of where JMS takes this story, I'd venture to say that we're in for quite a ride.
And it's got great dialogue too!
Next issue features the obligatory confrontation between Thor - an unregistered superhuman - and the fascist dick who used to be Iron Man. At least, I think so. Maybe it'd be best to skip it? Maybe it'll be as good as Nova's similar story was? We'll see. For now, I'm enjoying this series, and will continue reading it.
The Irredeemable Ant-Man #11
The Irredeemable Ant-Man #11
Another EXCELLENT issue of this EXCELLENT series that nobody bought and is now being cancelled. Goddamn you, Marvel. You get some real talent working on a quality book, and then you do nothing to promote it? Instead, you just let it languish there while most of the comics buyers pass it by unaware of just how good it truly is. And then it fails. And you wonder "well, how did that happen?" or say "see? We told you the market wouldn't support this book!" Well, duh, when it gets set up to fail!
I had hoped to be reading Ant-Man well into my golden years. Now, it seems, its twelve issues will have to last me forever. Unless Marvel gets a clue and gives it a second shot as they did for She-Hulk. But I'm not going to hold my breath. Because, like Eric, I don't have any inherent superpowers, and I'd just black out and die. Fare thee well. Kirkman, I'll keep reading anything you write.
On another note, did you catch the Walking Dead reference in Simone's Welcome to Tranquility #9? Looks like you owe her some flowers, K-man.
Another EXCELLENT issue of this EXCELLENT series that nobody bought and is now being cancelled. Goddamn you, Marvel. You get some real talent working on a quality book, and then you do nothing to promote it? Instead, you just let it languish there while most of the comics buyers pass it by unaware of just how good it truly is. And then it fails. And you wonder "well, how did that happen?" or say "see? We told you the market wouldn't support this book!" Well, duh, when it gets set up to fail!
I had hoped to be reading Ant-Man well into my golden years. Now, it seems, its twelve issues will have to last me forever. Unless Marvel gets a clue and gives it a second shot as they did for She-Hulk. But I'm not going to hold my breath. Because, like Eric, I don't have any inherent superpowers, and I'd just black out and die. Fare thee well. Kirkman, I'll keep reading anything you write.
On another note, did you catch the Walking Dead reference in Simone's Welcome to Tranquility #9? Looks like you owe her some flowers, K-man.
Supergirl #20
Supergirl #20
After 19 issues of crap (overall) and now the new writer getting saddled with a crossover issue, I truly didn't expect much from this issue. And then I read it. First off, I was blown away by Renato Guedes' art, drawing Kara as an actual girl with a normal looking body. Supergirl now has somewhere besides her breasts in which to store her internal organs, and I believe that she's the better for it. And this story, even though it plays a small part in the larger editor mandated crossover event that nobody's reading, functions well enough as a done-in-one introduction to Bedard's take on the character and the book in general. Let me tell you, for the first time since the first issue of this title, I'm actually looking forward to reading the next issue. And that's something. VERY GOOD.
After 19 issues of crap (overall) and now the new writer getting saddled with a crossover issue, I truly didn't expect much from this issue. And then I read it. First off, I was blown away by Renato Guedes' art, drawing Kara as an actual girl with a normal looking body. Supergirl now has somewhere besides her breasts in which to store her internal organs, and I believe that she's the better for it. And this story, even though it plays a small part in the larger editor mandated crossover event that nobody's reading, functions well enough as a done-in-one introduction to Bedard's take on the character and the book in general. Let me tell you, for the first time since the first issue of this title, I'm actually looking forward to reading the next issue. And that's something. VERY GOOD.
Nightwing #135
Nightwing #135
Since Infinite Crisis this has easily been the worst of the Bat books. The quality improved slightly when Jones got kicked off the title, but Wolfman has been continually pushing these storylines that just don't matter! And now, he's made up a backstory of the woman who took Dick's virginity, the boss of a gang he ran with for a short time when he was sixteen...seventeen...whatever, and he expects it to make an emotional impact when he "brings them back" into Dick's life. It doesn't. I don't care about them whatsoever.
However...
The new Vigilante is definitely an intriguing character, even if it does turn out to be the other gang member who became a priest. Since Wolfman's Vigilante series a decade or so ago, there has been a Vigilante void. By bringing in a new Vigilante character, Wolfman is finally doing something right with this title. I still don't care about the larger story, but the Vigilante plot has piqued my interest. So, OKAY, I'll definitely read the next issue.
Since Infinite Crisis this has easily been the worst of the Bat books. The quality improved slightly when Jones got kicked off the title, but Wolfman has been continually pushing these storylines that just don't matter! And now, he's made up a backstory of the woman who took Dick's virginity, the boss of a gang he ran with for a short time when he was sixteen...seventeen...whatever, and he expects it to make an emotional impact when he "brings them back" into Dick's life. It doesn't. I don't care about them whatsoever.
However...
The new Vigilante is definitely an intriguing character, even if it does turn out to be the other gang member who became a priest. Since Wolfman's Vigilante series a decade or so ago, there has been a Vigilante void. By bringing in a new Vigilante character, Wolfman is finally doing something right with this title. I still don't care about the larger story, but the Vigilante plot has piqued my interest. So, OKAY, I'll definitely read the next issue.
Midnighter #10
Midnighter #10
Again! Another comic that's entertaining to read, but upon completion lends the reader no idea as to what they have just read. But it's more enjoyable than Metal Men. It must be that snarky Giffen dialogue. I'll rate this one at OKAY, because even though I feel lost, I'm still interested enough to check out the next issue. Unlike Metal Men.
Again! Another comic that's entertaining to read, but upon completion lends the reader no idea as to what they have just read. But it's more enjoyable than Metal Men. It must be that snarky Giffen dialogue. I'll rate this one at OKAY, because even though I feel lost, I'm still interested enough to check out the next issue. Unlike Metal Men.
Metal Men #1
Metal Men #1
It's an interesting concept, I think, and the execution seems competent, but there remains a serious problem. I have no idea what I just read! I don't understand any of it, and I really feel like I'm missing something. Plus, the newer, more stylized art for the Metal Men makes it tougher to tell them apart. And the word Inventors is twice spelled without the "N" in the backgrounds! It's cool, but really, tell me why I should care? EH.
It's an interesting concept, I think, and the execution seems competent, but there remains a serious problem. I have no idea what I just read! I don't understand any of it, and I really feel like I'm missing something. Plus, the newer, more stylized art for the Metal Men makes it tougher to tell them apart. And the word Inventors is twice spelled without the "N" in the backgrounds! It's cool, but really, tell me why I should care? EH.
All-New Atom #14
All-New Atom #14
This is a great book. I love the characters, especially the Giant Head, and even the portrayals of such poorly written characters such as Jason Todd, Donna Troy and Bob the Monitor are very well written. To the extent that this book reaffirms my belief that I do not have to be reading Countdown. VERY GOOD work, Ms. Simone. Please hurry over and save Wonder Woman soon.
This is a great book. I love the characters, especially the Giant Head, and even the portrayals of such poorly written characters such as Jason Todd, Donna Troy and Bob the Monitor are very well written. To the extent that this book reaffirms my belief that I do not have to be reading Countdown. VERY GOOD work, Ms. Simone. Please hurry over and save Wonder Woman soon.
Thursday, August 02, 2007
Action Comics #853
Action Comics #853
This book is just so good! After months of wondering why Jimmy Olsen apparently knew who Jason Todd was, it's this comic that answers the question: knowing things is one of his powers. As is:
Turtle Boy! Flame Breath! Geiger Counter? Even with all these powers, Jimmy remains the everyman character, wondering about the dynamics of superheroing, such as how they get around, how they prevent cowl cap, where they keep their clothes, etc.
All this and the triumphant return of Krypto!!!
Plus a cameo of sorts for Scipio Garling of the Absorbascon (and Devon Sanders too)! (See the articles on page 4.)
Pure brilliance. Pure EXCELLENCE.
Oh, and guess what? The editors have finally admitted that they weren't fooling anyone last time when they told us that we had to read Countdown to keep abreast of this story. Sure, there's an editor's note saying that this issue occurs on the heels of Countdown #39, but in small print they tell us that they'll fill us in if we missed it. So now, even the stories that were originally central to Countdown are merely scenes from other books. How about that? Could Countdown suck any harder? In fact, the editors mention to us that we should read issue #37, but NOT issue #38! See? It's become, for the most part, irrelevant. I really wonder how it'll finish out the year with the quality just being so bad, and sales dropping off so sharply.
Eventually, I can see this being the book DC publishes that nobody reads. It's just there to provide an avenue for them to get from point A to point B in their Universe, but nobody actually cares. I believe that even Manhunter at its lowest sold better than Countdown is. So why did we as fans constantly have to save that series from the chopping block, and are currently being forced to go without? Why is Catwoman in danger of cancellation? Tell DC to chop away the dead weight. Migrate the Jimmy Olsen story entirely to Action, the Atom story to All-New Atom, the Holly Robinson story to Catwoman or Wonder Woman, the Trickster and Pied Piper story to Flash, the Karate Kid story to JSA, the Mary Marvel story to an ongoing Shazam! title (if Winick can ever get around to finishing Trials), the New Gods story to Superman and/or their own series. Do that and DC can increase the readership of those titles while simultaneously allowing each story to function as its own entity. It's a good idea. So I can't be the only person who's thought of it, can I?
This book is just so good! After months of wondering why Jimmy Olsen apparently knew who Jason Todd was, it's this comic that answers the question: knowing things is one of his powers. As is:
Turtle Boy! Flame Breath! Geiger Counter? Even with all these powers, Jimmy remains the everyman character, wondering about the dynamics of superheroing, such as how they get around, how they prevent cowl cap, where they keep their clothes, etc.
All this and the triumphant return of Krypto!!!
Plus a cameo of sorts for Scipio Garling of the Absorbascon (and Devon Sanders too)! (See the articles on page 4.)
Pure brilliance. Pure EXCELLENCE.
Oh, and guess what? The editors have finally admitted that they weren't fooling anyone last time when they told us that we had to read Countdown to keep abreast of this story. Sure, there's an editor's note saying that this issue occurs on the heels of Countdown #39, but in small print they tell us that they'll fill us in if we missed it. So now, even the stories that were originally central to Countdown are merely scenes from other books. How about that? Could Countdown suck any harder? In fact, the editors mention to us that we should read issue #37, but NOT issue #38! See? It's become, for the most part, irrelevant. I really wonder how it'll finish out the year with the quality just being so bad, and sales dropping off so sharply.
Eventually, I can see this being the book DC publishes that nobody reads. It's just there to provide an avenue for them to get from point A to point B in their Universe, but nobody actually cares. I believe that even Manhunter at its lowest sold better than Countdown is. So why did we as fans constantly have to save that series from the chopping block, and are currently being forced to go without? Why is Catwoman in danger of cancellation? Tell DC to chop away the dead weight. Migrate the Jimmy Olsen story entirely to Action, the Atom story to All-New Atom, the Holly Robinson story to Catwoman or Wonder Woman, the Trickster and Pied Piper story to Flash, the Karate Kid story to JSA, the Mary Marvel story to an ongoing Shazam! title (if Winick can ever get around to finishing Trials), the New Gods story to Superman and/or their own series. Do that and DC can increase the readership of those titles while simultaneously allowing each story to function as its own entity. It's a good idea. So I can't be the only person who's thought of it, can I?
Wednesday, August 01, 2007
Justice Society of America #8
Much as I love his artwork, Alex Ross' covers for this series have been annoying. The characters featured on the issues have often not even been the focus of the actual issue. If I'm not mistaken, the fact that they're featured on the cover doesn't even guarantee their presence in the issue whatsoever! This issue is therefore a nice change. Foremost, it's nice to finally find out how Rick and Jesse got together. "That will be explained in World War III." Shyeah, right. Sure, it's still a bit vague, but just seeing them together doing more than making out adds untold depth to their relationship. It's a cute story, with worthwhile character development for both Rick and Jesse, and some excellent character beats for Damage as well. (Plus, there's an editor's note referring the reader to Damage #0!! If only DC would collect that series on trade for those who haven't read it. But then, that's why there's DCP! Not to worry, though, I've got all 21 issues. Damage is one of my favorite characters, and I've got almost all of his DCU appearances.) Also, there's some good exposition regarding Jesse's powers and their source. My only complaint regarding this issue was the absence of Starman. But I guess you can't always have it all. And you know I love me my done-in-ones. VERY GOOD.
Much as I love his artwork, Alex Ross' covers for this series have been annoying. The characters featured on the issues have often not even been the focus of the actual issue. If I'm not mistaken, the fact that they're featured on the cover doesn't even guarantee their presence in the issue whatsoever! This issue is therefore a nice change. Foremost, it's nice to finally find out how Rick and Jesse got together. "That will be explained in World War III." Shyeah, right. Sure, it's still a bit vague, but just seeing them together doing more than making out adds untold depth to their relationship. It's a cute story, with worthwhile character development for both Rick and Jesse, and some excellent character beats for Damage as well. (Plus, there's an editor's note referring the reader to Damage #0!! If only DC would collect that series on trade for those who haven't read it. But then, that's why there's DCP! Not to worry, though, I've got all 21 issues. Damage is one of my favorite characters, and I've got almost all of his DCU appearances.) Also, there's some good exposition regarding Jesse's powers and their source. My only complaint regarding this issue was the absence of Starman. But I guess you can't always have it all. And you know I love me my done-in-ones. VERY GOOD.
It's Just Some Random Guy
I just discovered this guy's videos. I'd seen the first one a long time ago, but I wasn't aware that there was an entire series of them..........
UNTIL NOW.
Check them out. They're hilarious.
UNTIL NOW.
Check them out. They're hilarious.
Final Crisis pairing announcement
Although Grant Morrison and JG Jones do, indeed, make an excellent pairing, that will only be true on Final Crisis if Grant is heavily edited. Otherwise, we'll end up with storylines which are non-linear in the extreme as The Invisibles was, or nonsensical - especially when considered in the framework of the greater universe - as Marvel Boy was. Both of these series require the reader to hold an advanced degree in Philosophy (or the equivalent thereof) to even begin to make sense of.
I'll admit openly that after reading the full series of The Invisibles, I still had no idea what it was about. I did not like it, Sam I Am.
Likewise with Marvel Boy. The series makes no sense, since it occurs in what is quite obviously NOT the mainstream Marvel Universe, yet Noh-Varr shows up in Civil War: Young Avengers and Runaways. Either that's a dfferent person, or somebody seriously dropped the ball on that one.
Morrison's work on Batman has been spectacularly disappointing - and nowhere near the readability of his Animal Man stories, which I consider a classic by any definition.
It all boils down to the editing. If Morrison is given Carte Blanche, we're bound to get an indecipherable mess.
If, however, the editors force him to more or less obey the established constraints of Superhero writing, we may very well end up with a classic.
Regardless, it will certainly be pretty.
I'll admit openly that after reading the full series of The Invisibles, I still had no idea what it was about. I did not like it, Sam I Am.
Likewise with Marvel Boy. The series makes no sense, since it occurs in what is quite obviously NOT the mainstream Marvel Universe, yet Noh-Varr shows up in Civil War: Young Avengers and Runaways. Either that's a dfferent person, or somebody seriously dropped the ball on that one.
Morrison's work on Batman has been spectacularly disappointing - and nowhere near the readability of his Animal Man stories, which I consider a classic by any definition.
It all boils down to the editing. If Morrison is given Carte Blanche, we're bound to get an indecipherable mess.
If, however, the editors force him to more or less obey the established constraints of Superhero writing, we may very well end up with a classic.
Regardless, it will certainly be pretty.
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